Arts & Entertainment

When I first saw the Smashing Pumpkins at the Roseland in the fall of 1991, they were second on the bill—before the Red Hot Chili Peppers but after this obscure Northwestern band called Pearl Jam. They were doing their version of the loud/quiet rock thing—as powerful as Nirvana but with a more sinuous, feline grace. Billy goaded the largely frat-boy audience by telling them that the crowd in Philly rocked way harder than they did.


The historic nature of this election has echoes reaching every facet of our society, probably in more ways than we can understand in the present. Art has always been a reflection of society, and the spur of inspiration has rendered beautiful results.


Happy Halloween everybody! The Season of the Witch is upon us all. So to celebrate in true macabre fashion, I’d like to present both a trick and a treat in one super cool package: My homage to the author of Frankenstein, Mary Wollstonecraft Shelly. For those of you not familiar with her story, I’ll splain:


In the ten years since it was established the Jo Strømgren Kompanihas become one of the most celebrated contemporary dance, theater and performance companies in Norway.


Pearl and the Beard is modern folk at its most graceful.


In an era where art can no longer be categorized in movements (see By Eleanor Heartney’s “The Visual Arts: Blurring the Boundaries”), Ms. Aleksandra Nowak’s collection at CFM Gallery is a refreshing throwback to a classic medium and timeless temperament.

 


When the Museum of the Moving Image launched landmark website“The Living Room Candidate” in 2000 it was met with critical acclaim. At the time the site, which neutrally showcases historic political commercials from 1952 through 2008, was a fascinating discussion for the sophisticates lounging in bar stools on the election’s eve. But after eight years of G. W.


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